Entry tags:
↠ free for all.
free for all: open rp post.




- ❧ comment with one or more of your muses. it can be empty, contain a scenario, or a prompt for a scenario (image, lyric, quote, etc). for the best way to get something that isn't complete bullshit, please either leave a scenario yourself or an image (i work best with images, but can make do with lyrics).
❧ in the subject line, request one of the muses that you would like me to tag you with. no one is off limits. if you know i play someone who i haven't listed, feel fee to request them. however, i cannot guarantee you will get exactly who you choose (especially if they're inactive/a character i don't play a lot.) even if they have a post in this community, i don't mind doing anything with anyone.
❧ if you want a specific style, action or prose, please let me know. default is action spam.
❧ rp with me so we can psl and i can eat your soul. ♥ i would love to turn these into personal storylines.
❧ you can also use this as a space to write with characters that do not have an inbox post. this is primarily what this post is for. permanent open rp post.
AJKDLS OMG HOW DID YOU KNOW I LOVE THESE TWO? prepare for depressing textwalls.
there are large shoes to fill with being sheriff. she doesn't know the town like she knows the back of her own hand. her usual methods are unorthodox. the mayor breathes down her back like she's waiting for the perfect opportunity to push her hand into her chest cavity and rip her heart out. she knows there's a hole in her chest she refuses to acknowledge as it cripples her, but it's where graham's memory is. he takes up so much space, even when he's no longer here, that she sometimes feels like she's suffocated in his scent and in the notion of him being in the same room. she misses him like a heartbeat.
she has her head on her desk - or his, as it's never really truly been hers, has it? it never will be and she knows she'll never properly claim it - and her hands grip her hair so tightly she wants to tear it out. he haunts everything; from the smell that lingers to the prison cell she temporarily called home to every little crook and cranny in this office. she cannot stop thinking about graham, about the huntsman without a heart, and that stupid fairytale that doesn't quite fit her in it. sometimes henry says he'll come back; graham is dead, his fake counterpart, but the huntsman still lives. emma doesn't think so, though. life isn't a fairytale. it doesn't abide by any rules, fictional or otherwise, and the universe still spins on while good people are taken too soon and those with rotten cores still keep going. ]
Ugh. I don't know how anyone does this job without wanting to shoot themselves.
[ she's thinking too much tonight, about what ifs, fairytales, and alternate realities where she's a princess of the palest but most beautiful princess in all the land and there's a huntsman who means more to her than anyone could possibly understand. she thinks if she stays like this and ignores the real world that it'll go away. considering she goes around pretending she still has a heart, she thinks it's possible. it stopped caring about anything that wasn't henry's happiness when graham collapsed in her arms.
life lesson learnt, world; happiness is unattainable. ]
DEPRESSING TEXT WALLS ARE MY FAVORITE
there's a wolf waiting for him outside, when graham finally emerges in ill-fitting, borrrowed clothes. this doesn't surprise him. it's like seeing an old friend, one forgotten for too long. when it falls into step behind him, he doesn't question it. it's natural. it's right. it's what he should be, instead of what the strangeness of this world made him into. and maybe he should run and hide. maybe he should vanish into the woods and wait for things to set themselves to rights again, for emma's coming means they must go back to the way they should soon enough.
but he doesn't.
he goes to look for her. it's dark and he's better at staying unseen now, now that he's shed his former role. but she isn't at home, and she isn't at the diner, and so there's only one other place.
( unless she's gone, somewhere graham can't follow, but he'll cross that bridge when he comes to it. )
she's at his desk, face buried in her arms and stands in the doorway and just looks for a moment, taking her in, taking the room in. and then he inhales a long, steadying breath before he drags up the words to speak. ]
The job's not as bad as all that.
UGH I AM JUST GOING TO GIVE YOU MY HEART FOR GIVING ME THIS.
hearing a voice with a touch of that irish accent she never thought would set her on fire is one of the many things emma does not believe in. the dead stay dead. when someone dies in your arms, heart completely still within their chest, they're long past saving.
the grip in her hair is tight as she really thinks she's gone insane. this entire town is insane. she's not a hero, or the coming of whatever is going to save this town from understanding how to fix broken clocks. it's hard for her to believe in something that only seems to steal the people she cares about away from her. for her, it's someone who isn't graham standing in her office, seeing what a poor excuse of a sheriff this town now has. ]
Yeah? Clearly you haven't met the Mayor - [ she decides to look up then, figuring she's hearing voices. she doesn't know graham as well as she wants to (because she never tried to) and sometimes she wonders what he'd say if he saw how corrupt this town really was. what would graham do? is a regular thing she asks herself.
and what would he do in this situation? apparently rise up from the dead and stand before her in his office. emma might as well be bambi; she impersonates the character well enough with her wide eyes and mouth open. she begins to shake her head, gripping the desk tightly. ]
You're - No. No. I'm seeing things. This town has officially driven me insane.
REST ASSURED I WILL TAKE SUCH GOOD CARE OF IT.
You're not crazy.
[ his voice is quiet, and he doesn't approach, just turns his hands up, palms out, as if to show he isn't a threat. it's how he'd approach a skittish animal, all soft, soothing tones and slow motions. ]
I don't know how, but I'm here. I'm still here.
;; YOU'RE TOO GOOD TO ME.
emma stands up, though she wonders where she gets the strength to push out her chair and herself up. sitting down doesn't make them equal at all. and she figures any sudden movement on her part might snap her out of this.
emma doesn't like to be vulnerable, physically or even in secret, but it shows, clear as day on her face, that this is a slice through the heart that she can't quite hide from. losing graham was like losing a good portion of her hope for this town. she'd given herself the okay to open up and risk losing some part of herself for him to have him disappear the moment she allowed her own heart to start beating again. her eyes are red, but she ignores the fact that she's crying. ]
You died. Here. In my arms. There's no coming back from that.
[ then again, she forgets she lives in a town where the unbelievable is believable. it's a fairytale after all. ]
I TRY BABY I TRY.
he isn't even sure he'll have a tomorrow, when regina finds out that he's risen so effortlessly from the dead. ]
I did. But I did come back, Emma. Touch me, I'm here. I'm real.
[ or as real as a fairy tale could ever be.
he holds out his hands, offering them to her. flesh and bone and blood and the beat of pulse, it's all there for her inspection. ]